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Country USA. release date 2010. rating 1955406 vote. Dominic Cobb is an spy who instead of breaking into a person"s home, office, or even computer, gets the information he needs by getting into the person"s mind through their dreams. Cobb is also a fugitive who misses his children. Someone approaches Cobb and wants to hire him but instead of getting information out, the man wants Cobb to implant something, a process called "inception", which is not easy to do. Cobb is hesitant to do it, but when the man offers to help Cobb go back to his children, Cobb agrees. So he assembles his team but when they begin, there are things Cobb didn"t tell his team that could jeopardize the job, and when they occur, they"re not sure if they should continue. user Rating 9 of 10.

Inception Watch full length. Inception watch full length movies. Inception watch full length youtube. Inception watch full length mascara review. Inception watch full length vs. At this year"s Tribeca Film Festival, Christopher Nolan was asked "the question" yet again. The question that he"s danced around ever since 2010"s release of Inception debuted its infamous ending: is the top still spinning? While Nolan probably is tired of us asking about Inception, and will pretty much never give the public the full answer it wants, we"d like to attempt to answer on his behalf. Using the film itself, as well as the text of the shooting script, we"re going to try and give a definitive answer to the long-standing question about whether the whole movie is a dream or not. Prepare to go deeper, as we delve into the secrets of Inception. Obviously, this feature will reveal plenty of spoilers regarding Inception, so stop reading now if you haven"t yet seen the film. Here"s What The Script Actually Says The top, in Inception, represents Leonardo DiCaprio"s totem -- the object he uses to tell if he"s still in a dream state, or back in reality. Basically, if the top keeps spinning, Leo"s character is still dreaming. If it falls, he is awake. Reading Christopher Nolan"s shooting script for Inception is enlightening in the respect that there"s a ton of dialogue that didn"t make it into the final cut of the film. That includes the scene that is most referenced by fans who believe the entire film is all a dream: the encounter between DiCaprio"s Cobb and Michael Caine"s Professor Miles. Pages 25-28 in the Inception shooting script (which you can purchase here) feature the scene in question, which finds Cobb looking for a new architect, in hopes of designing a dream that his subconscious can"t sabotage. This leads him to his mentor and ex-father in law, the Professor (Caine), who pleas for Cobb to abandon this work and "come back to reality. " Preceding this conversation is Cobb"s insistence that his one last job would "free him" from the guilt and criminal charges surrounding his wife"s suicide, which has messed with his subconscious to the point where he sees his deceased wife (aptly named Mal) sabotaging any dream he creates. Professor Miles, on the other hand, feels that dragging student Ariadne (Ellen Page) into the dream world that he"s trying to create would be akin to her "following [him] into fantasy. " Now, taken at face value, Cobb"s "freedom" seems to mean freedom from the factors that prevent him from ever going home again. But looking at some of the key lines of dialogue shared by Saito (Ken Watanabe) and Mal (Marion Cotillard) -- particularly the "leap of faith" both characters tell Cobb to take -- and the recurring mention of an "old man, filled with regret" would have us believe a different story. It"s my conclusion that Professor Miles sees Cobb as a dreamer who refuses to wake up, much like the men in the underground parlor during an earlier scene shared with Yusef (Dileep Rao), the chemist. Scenes like these distract from the storyline we all perceive Inception to be about, though. The way the film is set up, Inception is a story about a man trying to get home to his children. In truth, the underlying message as we interpret it of the scenes mentioned above is that Cobb is actually still dreaming, and in the end, his dreams are his new home. The job that Ken Watanabe"s Saito hires him for is a gigantic exercise in catharsis for his addled mind, using his work and his skills to build himself an ideal reality. By the end of the Saito job, Cobb"s dream reality has exorcised his marital issues in a sense that he does find his way home at the end of the film. The twist is that this "home" is in his mind, neatly wrapped up in a beautifully shot and edited package, similar to the way he"s envisioned his children throughout the film. What does Nolan"s shooting script say, with regard to the spinning top? Essentially, what you see on the screen. The actual stage direction, taken right from Nolan"s script, says, "Behind [Cobb], on the table, the spinning top is STILL SPINNING. " Which is what we see in the film. But taken with all of the analysis of conversations between Cobb, Saito, Mal and the professor, we believe that the top is, in fact, still spinning at the end of Inception because it"s all a dream. The information trimmed from the aforementioned pivotal scenes would have helped audience draw the conclusion that Cobb is, in fact, dreaming -- with the world reaching out to him to come back to reality. Does the movie, itself, back this point up? What The Movie Says The movie, on the other hand, is much more open-ended, in general, with what it has to say to its audience about the state that Cobb is in. Not just in the final scene. That stays true to what is in the script. But as mentioned before, a lot of the dialogue between Cobb (DiCaprio) and Professor Miles (Caine) is cut down to the basics, leaving much of Nolan"s intention to interpretation. Gone, for example, are any mentions to Professor Miles" wife, who left him because of his continued friendship with Cobb. Instead, their shared scenes feel more like the set up to bring Ariadne (Ellen Page) into the plot, which Nolan needed to keep the film going at a fair clip. One scene that is left more intact is the Chemist scene, where the old man in the basement asks Cobb if he still dreams, as well as a cryptic reference to the dream becoming reality to the old men -- as well as to Cobb, himself. We view this as a deliberate clue to Cobb"s state. Not to mention, when the spinning top scene comes in at the end of the film, it"s not a fade, as the script suggested. Instead, it"s a very curt cut, assisted by a musical cue that"s just as abrupt. That"s how Nolan ends the film. Some say that the top is still spinning at the end, while others say they see it begin to wobble at the very end of the film, but either way, the shot doesn"t linger enough to support either outcome. If you want to add some further fuel to the fire, think about how quickly the music cuts off at the end. Kind of sounds like someone waking with a start, doesn"t it? This could symbolize that the audience is waking up from the dream that is Inception, but it could also mean that Cobb"s ready to wake up and accept the world he really lives in, if only to see his children. OK, so, between the script, and the actual movie, what do we think happens at the very end of Inception? Summation/Analysis Inception is a different beast, depending on how you"re looking at it. If you"re reading the shooting script, the film seems a little more concrete in its case that yes, this is a dream for Cobb (DiCaprio), and the top will keep spinning. However, watching the actual film adaptation of that very script, it seems that Christopher Nolan deliberately truncated the film in order to create a more ambiguous picture that makes you question reality as much as Leonardo DiCaprio"s Cobb does. But even with the ambiguity front and center throughout the film, there are still enough clues and structural flourishes that hint at the eventual reality that Cobb is dreaming, and the top keeps spinning. The film doesn"t come out and say it, but if you piece enough clues together, you start to think that maybe Cobb did become that old man filled with regret. The dream world is his reality, and to cope with everything that happened in his reality, he retreats into this world and creates the ultimate absolution for his crimes. Of course, the whole point of Inception the movie is the same as the procedure the film is named after. Mainly, that an idea can be planted into a person"s brain, and flower according to that person"s experiences, knowledge, and the clues that are planted along the way. Christopher Nolan does just that as he leads the viewer through the maze of the dream worlds the team fights their way through. As the viewer "wakes up" from the experience, the thoughts that fill their mind are all based on how they interpret everything that came in the moments they saw on the screen. So really, there"s no wrong way to look at Inception... it"s just that one outcome has more evidence to support its relevance than the other. But much like the top in Inception"s dream world, this argument can go spinning for eons and eons with interpretations and arguments for either side"s case. It is because of this that we suggest you read Psychology Today"s excellent piece dissecting Inception, as it helps add some fuel to the fires and argues some really good points included in the film"s overall fabric. Much like Cobb, you now face a choice: do you stick with the reality we"ve presented you, or will you go a little deeper? Either way, just make sure you don"t follow the conclusion that leaves you an old reader, filled with regret, waiting for Christopher Nolan to give you his version of the truth. Mike Reyes View Profile CinemaBlend"s James Bond (expert). Also versed in Large Scale Aggressors, time travel, and Guillermo del Toro. He fights for The User.

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Netflix uses cookies for personalization, to customize its online advertisements, and for other purposes. Learn more or change your cookie preferences. Netflix supports the Digital Advertising Alliance principles. By interacting with this site, you agree to our use of cookies. We use cookies ( why? ). You can change cookie preferences; continued site use signifies consent. UNLIMITED TV SHOWS & MOVIES SIGN IN In this mind-bending sci-fi thriller, a man runs an espionage business built around entering the subconscious of his targets to mold their thoughts. Starring: Leonardo DiCaprio, Joseph Gordon-Levitt, Ellen Page This Oscar-winning sci-fi thriller starring Leonardo DiCaprio was the worldwide fourth-highest-grossing movie of 2010. More Details Watch offline Available to download This movie is... Mind-Bending, Suspenseful, Exciting Audio English - Audio Description, English [Original], English [Original], French, French Subtitles English, French Cast Leonardo DiCaprio Joseph Gordon-Levitt Ellen Page Tom Hardy Ken Watanabe Dileep Rao Cillian Murphy Tom Berenger Marion Cotillard Pete Postlethwaite Michael Caine Lukas Haas More TV Shows & Movies Coming Soon.

Standard Edition IMDb 8. 8 /10 Special features Four Focus Points: The Inception of Inception: Christopher Nolan shapes his unusual concepts for Inception The Japanese Castle: The Dream Is Collapsing: Creating and destroying the castle set Constructing Paradoxical Architecture: Designing the staircase to nowhere The Freight Train: Constructing the street-faring freight train Product details Actors: Leonardo DiCaprio, Ken Watanabe, Joseph Gordon-Levitt, Marion Cotillard, Ellen Page Directors: Christopher Nolan Format: Multiple Formats, AC-3, Color, Dolby, Widescreen, Subtitled, NTSC Language: English Subtitles: English, French, Spanish Dubbed: Spanish, French Subtitles for the Hearing Impaired: English Region: Region 1 ( U. S. and Canada only. Read more about DVD formats. ) Aspect Ratio: 2. 40:1 Number of discs: 1 Rated: Parents Strongly Cautioned Studio: WarnerBrothers DVD Release Date: December 7, 2010 Run Time: 148 minutes Customer Reviews: 4. 5 out of 5 stars 5, 931 customer ratings ASIN: B002ZG980U Amazon Best Sellers Rank: #28, 589 in Movies & TV ( See Top 100 in Movies & TV) #3881 in Action & Adventure DVDs #2700 in Mystery & Thrillers (Movies & TV) #862 in Science Fiction DVDs Learn more about "Inception" on IMDb.

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Inception watch full length episodes. Inception watch full length 2016. Inception watch full length. Inception Watch Full lengthy. Inception watch full length 2. Inception watch full length free. Top definitions quizzes related content examples explore dictionary british [ in- sep -sh uh n] / ?n?s?p ??n / noun beginning; start; commencement. British. the act of graduating or earning a university degree, usually a master"s or doctor"s degree, especially at Cambridge University. the graduation ceremony; commencement. (in science fiction) the act of instilling an idea into someone"s mind by entering his or her dreams. Origin of inception 1375–1425; late Middle English incepcion < Latin incepti?n- (stem of incepti?), equivalent to incept(us) begun (see incept) + -i?n- -ion Words nearby inception incentive, incentive pay, incentive travel, incentivize, incept, inception, inceptisol, inceptive, incertitude, incessant, incest Unabridged Based on the Random House Unabridged Dictionary, © Random House, Inc. 2020 Words related to inception outset, initiation, origin, provenance, derivation, source, inauguration, rise, well, kickoff, wellspring, start, fountain, birth, dawn, provenience, root, commencement Example sentences from the Web for inception And yet our country has redefined citizenship in some extraordinary ways since its inception. And he has been involved in the Mind and Life Institute, the sponsor of the ISCS conference, from its inception. Since its inception, Hamas has had close ties with Iran, but relations soured when civil war broke out in Syria. With the incredible surge in popularity of online dating since its inception, countless niche communities have popped up. As Gordon explained: “MPAC has had a significant impact on the development of this project from its inception. ” Why should a novel about the Stock Exchange "owe its inception " to a Highland lassie? Such was the inception of a great public work which cost more than half a million sterling. At its inception its whole capital was swallowed by the treasury. The Golden Rule in action has its inception in the love of man for his fellow-man. But the effect in England at the inception of the enterprise was electrical. British Dictionary definitions for inception inception noun the beginning, as of a project or undertaking Collins English Dictionary - Complete & Unabridged 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012.

It"s said that Christopher Nolan spent ten years writing his screenplay for "Inception. " That must have involved prodigious concentration, like playing blindfold chess while walking a tight-wire. The film"s hero tests a young architect by challenging her to create a maze, and Nolan tests us with his own dazzling maze. We have to trust him that he can lead us through, because much of the time we"re lost and disoriented. Nolan must have rewritten this story time and again, finding that every change had a ripple effect down through the whole fabric. The story can either be told in a few sentences, or not told at all. Here is a movie immune to spoilers: If you knew how it ended, that would tell you nothing unless you knew how it got there. And telling you how it got there would produce bafflement. The movie is all about process, about fighting our way through enveloping sheets of reality and dream, reality within dreams, dreams without reality. It"s a breathtaking juggling act, and Nolan may have considered his " Memento " (2000) a warm-up; he apparently started this screenplay while filming that one. It was the story of a man with short-term memory loss, and the story was told backwards. Like the hero of that film, the viewer of "Inception" is adrift in time and experience. We can never even be quite sure what the relationship between dream time and real time is. The hero explains that you can never remember the beginning of a dream, and that dreams that seem to cover hours may only last a short time. Yes, but you don"t know that when you"re dreaming. And what if you"re inside another man"s dream? How does your dream time synch with his? What do you really know? Cobb ( Leonardo DiCaprio) is a corporate raider of the highest order. He infiltrates the minds of other men to steal their ideas. Now he is hired by a powerful billionaire to do the opposite: To introduce an idea into a rival"s mind, and do it so well he believes it is his own. This has never been done before; our minds are as alert to foreign ideas as our immune system is to pathogens. The rich man, named Saito ( Ken Watanabe), makes him an offer he can"t refuse, an offer that would end Cobb"s forced exile from home and family. Cobb assembles a team, and here the movie relies on the well-established procedures of all heist movies. We meet the people he will need to work with: Arthur ( Joseph Gordon-Levitt), his longtime associate; Eames ( Tom Hardy), a master at deception; Yusuf ( Dileep Rao), a master chemist. And there is a new recruit, Ariadne ( Ellen Page), a brilliant young architect who is a prodigy at creating spaces. Cobb also goes to touch base with his father-in-law Miles ( Michael Caine), who knows what he does and how he does it. These days Michael Caine need only appear on a screen and we assume he"s wiser than any of the other characters. It"s a gift. But wait. Why does Cobb need an architect to create spaces in dreams? He explains to her. Dreams have a shifting architecture, as we all know; where we seem to be has a way of shifting. Cobb"s assignment is the "inception" (or birth, or wellspring) of a new idea in the mind of another young billionaire, Robert Fischer Jr. ( Cillian Murphy), heir to his father"s empire. Saito wants him to initiate ideas that will lead to the surrender of his rival"s corporation. Cobb needs Ariadne to create a deceptive maze-space in Fischer"s dreams so that (I think) new thoughts can slip in unperceived. Is it a coincidence that Ariadne is named for the woman in Greek mythology who helped Theseus escape from the Minotaur"s labyrinth? Cobb tutors Ariadne on the world of dream infiltration, the art of controlling dreams and navigating them. Nolan uses this as a device for tutoring us as well. And also as the occasion for some of the movie"s astonishing special effects, which seemed senseless in the trailer but now fit right in. The most impressive to me takes place (or seems to) in Paris, where the city literally rolls back on itself like a roll of linoleum tile. Protecting Fischer are any number of gun-wielding bodyguards, who may be working like the mental equivalent of antibodies; they seem alternatively real and figurative, but whichever they are, they lead to a great many gunfights, chase scenes and explosions, which is the way movies depict conflict these days. So skilled is Nolan that he actually got me involved in one of his chases, when I thought I was relatively immune to scenes that have become so standard. That was because I cared about who was chasing and being chased. If you"ve seen any advertising at all for the film, you know that its architecture has a way of disregarding gravity. Buildings tilt. Streets coil. Characters float. This is all explained in the narrative. The movie is a perplexing labyrinth without a simple through-line, and is sure to inspire truly endless analysis on the web. Nolan helps us with an emotional thread. The reason Cobb is motivated to risk the dangers of inception is because of grief and guilt involving his wife Mal ( Marion Cotillard), and their two children. More I will not (in a way, cannot) say. Cotillard beautifully embodies the wife in an idealized way. Whether we are seeing Cobb"s memories or his dreams is difficult to say--even, literally, in the last shot. But she makes Mal function as an emotional magnet, and the love between the two provides an emotional constant in Cobb"s world, which is otherwise ceaselessly shifting. "Inception" works for the viewer, in a way, like the world itself worked for Leonard, the hero of "Memento. " We are always in the Now. We have made some notes while getting Here, but we are not quite sure where Here is. Yet matters of life, death and the heart are involved--oh, and those multi-national corporations, of course. And Nolan doesn"t pause before using well-crafted scenes from spycraft or espionage, including a clever scheme on board a 747 (even explaining why it must be a 747). The movies often seem to come from the recycling bin these days: Sequels, remakes, franchises. "Inception" does a difficult thing. It is wholly original, cut from new cloth, and yet structured with action movie basics so it feels like it makes more sense than (quite possibly) it does. I thought there was a hole in "Memento:" How does a man with short-term memory loss remember he has short-term memory loss? Maybe there"s a hole in "Inception" too, but I can"t find it. Christopher Nolan reinvented " Batman. " This time he isn"t reinventing anything. Yet few directors will attempt to recycle "Inception. " I think when Nolan left the labyrinth, he threw away the map. Roger Ebert Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. In 1975, he won the Pulitzer Prize for distinguished criticism. Inception (2010) Rated PG-13 for sequences of violence and action throughout 148 minutes about 1 hour ago about 22 hours 3 days ago.

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